Hi everyone! I wanted to tell you about another Clark Media production that is now available to the public! My fantastic euphonium colleague, Hiram Diaz, came to me in the spring with a great idea to make a new series of videos. Hiram, like many euphonium and trombone players, has been playing the 20 Counterparts duet series written by Tom Ervin, for many years. These are duets written to accompany the Bordogni/Rochut etudes that so many of us incorporate in to our daily practice. The videos include Hiram performing the duet part - the player utilizing the video provides the Bordogni etude. Hiram also has some excellent comments at the beginning of each video encompassing his performance practice and musical ideas about the piece. To purchase the original sheet music book, Counterparts, go to Tom Ervin's official website.
Filtering by Tag: Recording projects
Whew!!! Summer is in full swing, and you know what that means?!?!?!?! THE KIDS ARE OUT OF SCHOOL!!! Seriously, what it means around the Clark household is a lot of fun pool and beach time, and a lot of bike rides as well. The boys are getting older and able to ride longer and/or on their own, so we are having super fun just biking everywhere we have the chance. Combine that with some recent bike commuting for me, beach rides, and even recharging some bike mechanic skills, and the summer is just ROLLING. Love it.
One other thing I've done is to complete a few projects that were begun in the spring. One of my favorites of this year was the brass quintet and xylophone arrangements my good friend and Marine Band colleague, Jon Bisesi. We recorded four of his arrangements in the spring, and you can hear Jovial Jasper over on Youtube. I'm going to introduce another one here below, Chromatic Fox Trot.
For my audio folks out there, if you haven't ever recorded solo xylophone, I highly recommend it! It is a challenge, due to the nature of the instrument (think snare-like transients, but pitched and moving in the stereo field like marimba, or even piano. Separating that from the brass players, and allowing them to both see and hear each other enough to play as one ensemble, is quite challenging. I had some help from my good friend, Will Samson, and I think the final recording turned out great.
Jon is a master of the xylophone, and his improvisations over these rags in this particular style are so natural and fun to listen to. Thanks for reading, and thanks for listening!
I am constantly amazed at the colleagues I have a chance to regularly make music with here in Washington, DC. Since I started recording and working in audio over the past few years, the chance to record my colleagues in the Marine Band is always a treat. Today, I’d like to share a recording I made recently for composer Anne McGinty, of her piece called Tuba and 12. Anne composed the piece for solo tuba, piccolo, flute, 2 clarinets, bass clarinet, alto saxophone, 2 trumpets, 2 horns, and 2 trombones. You can find the music for purchase at Anne’s website, McGinty Music.
Here are Anne’s notes about the piece:
Tuba & 12 was inspired by a Bedouin proverb that states: “While the words are yet unspoken, you are master of them; when once they are spoken, they are master of you.”
Proverbs, in general, state a general piece of advice. This piece assumed that words were spoken, resulting in tension and an apology. Relationships, the first movement, has brass vs. woodwinds, tonality vs. dissonance, duples vs. triplets, et al. as well as the synergy and cooperation among all. Unspoken Words is the second movement and the dissonant opening theme in the piccolo and flute is presented three times. The third movement is Resolution. Over a constant low pedal G, the horn ostinato adds tranquility as all the themes from the first two movements return in fragmented form, before all is finally resolved.
Although tuba has top billing in the title, each instrument is equally important.
Many thanks to Mt. Vernon Unitarian Church for the use of their beautiful space to make this recording, and to Ryan Nowlin for his conducting and fantastic producer’s ear.
Personnel on this recording are:
Tuba - John Cradler
Piccolo - Courtney Morton
Flute - Beth Plunk
Clarinets - Tracey Paddock, Bill Bernier
Bass clarinet - Barbara Haney
Alto Sax - Steve Temme
Trumpets - Matt Harding, Michael Mergen
French horns - Hilary Harding, Mark Questad
Trombones - Bryan Bourne, Tim Dugan
Conductor and Producer - Ryan Nowlin
Producer, engineer, mixing - Chris Clark
Mastering - Michael Ducassoux, Red Room Productions
Thanks for listening!
29 year ago, I spent the first of 3 unforgettable summers at the National Music Camp at Interlochen, Michigan. That summer, I met a young trumpet player that completely knocked me out with his positive attitude, musicianship, fearlessness, and friendship. I seem to find large projects to take on in the summer, these days. With my boys home from school, and many hours spent parenting, and learning how to be a better father and husband (and that is an ONGOING thing!), I have taken to the example set by an author whose book I read a couple of years ago, Jocko Willink, and I find myself getting up many mornings (not all, still working on it) at 0430 to get a couple of hours of work in before the house stirs itself awake and the needs of my young ones overtake my own.
Many of you are very familiar with Valor Brass, and the work this fabulous group of musicians has done over the past 13 years. Our recording, Inaugural, in 2014, really changed a lot of things in life for me. It was the first time I had really been an integral part of a creative process to make something lasting, throughout every stage of the process. Specifically, the process of recording an album, and seeing it through to completion, absolutely fascinated me. Our audio engineer, Ed Kelly, really captured what I felt was the true essence of our quintet. That was the beginning of my interest in recording, and my exploration of that art, and what I could bring to my own recordings. Needless to say, I took to it with a lot of focus and motivation, and began looking for every way that I could learn more about it, and put my skills into practice.
This June that trumpet player, Jack Sutte, and I reunited in Cleveland, to record two complete etude books, written by a young composer in Texas, Nathan Ost. Jack and I have remained in constant contact since that summer of 1988, rooming together at Curtis, and again in New York while we worked on our masters degrees at Juilliard. Jack has spent the last 18 years as 2nd trumpet of the Cleveland Orchestra, and continues to push the bounds of new music as a trumpet soloist and with his brass trio, Factory Seconds, in his spare time.
The three days of recording we had in June were just fantastic. Jack has the ability to get to the heart of a piece of music like few people I have ever known, and he showed up to the sessions ready to make music. Juggling a tough week of work performing the complete West Side Story film score in evening concerts, we recorded, during the day, all 42 of Nathan’s etudes at Baldwin-Wallace Conservatory, where Jack is a faculty member. I am very excited about the recording, and the fantastic musicianship it portrays. I hope you’ll take a listen.
Nathan Ost has written two collections of etudes that I have no doubt will become a well-used and familiar resource to trumpet players around the world. Modeled after the characteristic studies of Arban, and lyrical studies of Bordogni, his Lyrical Studies and Characteristic Studies are a fresh and interesting musical approach to developing technical facility, but most of all, musicianship. I am so glad I had the opportunity to put Jack’s playing to “tape” and give budding trumpet players a beautiful reference with which to explore these new compositions.
Nathan has a great deal going on his website... If you buy either book in PDF delivery format, you receive the recordings of Jack playing all the etudes, for free! Cheers!
As you may now suspect, producing personal, musical recordings is a passion of mine. Check out clarkmediaproductions.com for more examples of what I’ve been up to lately.