Recording a Visual Click Track in Logic Pro X

I know, I know... signal flow just isn't sexy to anybody except us audio geeks... well, maybe not even then... Anyways, I think figuring out how these new DAWs work is quite fascinating, and in my recent work on my visual click long tone practice, I have done a lot of work figuring out the process behind routing the klopfgeist to a track for recording.  Instead of a long blog post explaining the process, I decided to just make a video!  Thanks again for reading, and if you haven't subscribed, please fill out the subscription form at the bottom of the post.  Thanks!

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Finding your Klopfgeist...wait, WHAAAAT???

In continuing my obsession with all things Logic Pro, I've taken an interest to something that, on the surface, seemed to be a pretty simple feature...the Klopfgeist! What is a Klopfgeist, you ask?  Well, check out the video to find out!  If you have any more questions about the Klopfgeist in Logic Pro, or other topics you would like me to cover, leave them in the comments!

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Brendan Collins: Two Motets for Four Trombones

Last May, on a trip to the ITG (yeah, that's right, trumpet conference) conference in Ohio, I had the chance to meet an Aussie composer named Brendan Collins.  Rex Richardson performed his Trumpet Concerto at the conference, and besides enjoying the piece a lot, Brendan is a great guy, and we may or may not have shared a few beers while in Columbus.  I shared a copy of our new Valor Brass CD with Brendan, and we continued our correspondence throughout the rest of 2015, and I got to know him a little better.  He's a trombone player as well, so he's got that going for him!  He teaches and composes in Australia, and is busy writing all kinds of new music.  This winter, he sent me a copy of a trombone quartet he wrote called Two Motets.  The first movement, Sacred, is just beautiful!  The 2nd movement has a very playful syncopated motif throughout the piece that is a lot of fun to play, and lays very well on the trombone (just as you would expect from a trombonist-turned-composer)!  Brendan mentioned he would love to hear a recording if I ever had a chance to play the piece, so with my ongoing interest in audio production, it seemed like a great opportunity to do a small project that would benefit both of us in multiple ways.   We made the recording in one short session with some fun and extremely informative mentoring from a new colleague of ours, Christian Amonson.  Christian runs his own audio and video production company called Arts Laureate, and is as enthusiastic about audio as he is knowledgeable.  Here's a cool video Christian made about a recent production Arts Laureate did... Hope you enjoy the quartet!

David Bowie and brass quintets...

No not really, sorry!  But I am embarrassed to say that it took David Bowie's death for me to discover his music.  And wow, have I been missing out!  His new album, Blackstar, is amazing, and due to my wife's amazing Christmas gift to me of a new turntable, I did order it on vinyl!  

Tonight, I watched a great video produced by the BBC, with producer Tony Visconti, about the recording of another seminal Bowie album, Heroes.  The video was posted by one of my favorite writers, Austin Kleon, and it's well worth the 20 minutes you'll spend watching...

http://bbc.in/1QqfRTZ

I think one of the most interesting things about insights like this is the debunking of the myth that great creations spring from some fully formed vision of the artist, and that it all comes out in one clear and finished product.  Just like one of my favorite podcasts of late, Song Exploder, you see that that is most often not the case...

So, what does David Bowie have to do with brass quintets?  Well, nothing yet... maybe we can get our good friend Tom Holtz, who has arranged so many great tunes for Valor Brass to arrange something cool...???  Tonight, we had the chance to perform on a recital of the Composers' Society of Montgomery County in Bethesda, Maryland.  We played a new piece by composer Jeffrey H. Bauer, titled Danse Macabre.  Jeff is a conservatory trained (Peabody Institute) pianist and trombonist, and he contacted Valor Brass a few months ago about working together.  We really enjoyed his new work, and it just reinforced the fact that relationships between creators (composers) and musicians (performers) are such a rewarding experience.  Check out Jeff's scores at Balquhhider Music.

Here's a rehearsal recording from a few days ago of Danse Macabre...