Clark Media Productions

Clark Media Productions is a place for me to share my love of audio production, music, trombone, and music technology. Subscribe to my email list for late breaking blog posts, videos, and educational content!

Great visit with the Baylor Trombone Studio

  Well, we are rolling out of Waco and had a fantastic time visiting Baylor University and the trombone studio of Brent Phillips. I was joined by my colleagues in the Marine Band,  Sam Barlow, Chris Reaves, and Daniel Brady, for a master class with the Baylor students prior to our concert last night. We got to hear some excellent playing from various sized trombone ensembles and chatted with the students about our work in the Marine Band. Brent is, of course, a former member of the Band, having served 8 years from 1996-2004, and it's always great to catch up with him!  Check out the Baylor Trombone studio site here:

Baylor Trombone Studio We finished up the evening with a large and enthusiastic crowd in Jones Hall at the Baylor campus. 

Thanks for having us!

"Excuse me, sir?  What should I do if I want to make it as a trombone player?"

   Blind Boys of Alabama   Moog factory tour

  Playing with fun toys 

 At a concert the other day, a young man approached me at intermission and, literally, asked me the question above.... 

After I said, "practice", I asked him if he listens to a lot of music.  He said, "not really."

Now, I will admit that I wasn't surprised to find a young player that doesn't listen to a lot of trombone recordings. However, I was surprised that someone who doesn't listen much did have the curiosity to ask the question in the first place. 

It is ABSOLUTELY ESSENTIAL that you, as an aspiring musician, listen to as muc music as your ears and brain can stand. Preferably music that is directly related to the styles in which you want to be fluent. If you play the trombone, and you tell me you've never heard a recording by Joe Alessi, Christian Lindberg, or JJ Johnson, then you have some serious work to do!  I discussed with the young man where he might go to hear great performers: YouTube, iTunes, Amazon, Spotify, etc., and most of it for free!  

The fact of the matter is, you will play the sounds you have in your head. If you can hear it, then you can proceed towards reproducing that sound. 

Second, you should be listening to music that you might think doesn't interest you. Over the past two weeks, I did two things that were eye openers for me: I toured the Moog synthesizer factory in Asheville, NC, and I heard the Blind Boys of Alabama while we were in Birmingham. The Moog tour was interesting because our tour guide, besides giving us a great overview of the history of Moog, pointed me towards some fantastic musicians and bands whose work I discovered I really enjoy, such as Deltron 3030 and Dan the Automator. Those are bands and music styles I would have NEVER discovered on my own!  Likewise, the Blind Boys of Alabama do play a style of music that I already enjoy, gospel, but their live show was so much more than that. Backed by an absolutely fantastic 4-piece band, they played gospel, soul, country, rock, and put on a live show that was as entertaining as it was musically amazing!

So, listen, listen, listen. No excuses!  That is, IF you want to improve and broaden your horizons.... :)

Yours virtually,

Chris

Blind Boys of Alabama Bombassic Deltron 3030

A day in the life of a touring musician

  As many of you know, I'm currently out on the road with the U.S. Marine Band on our annual month long tour.  We left Washington, DC on September 15 and will play 29 concerts over the course of the 31 day period.  A number of people have asked, or been curious, about various logistical issues that being on the road brings, so I thought I'd share a bit about what goes in to a typical day on our tour!

First of all, my single biggest challenge is to play at the highest level possible over the course of the entire tour. This includes the period of rehearsals that we had prior to departing. I spent a good amount of time this year getting in strong playing shape for the rehearsal period. As I get older, one of the worst positions to be in is to start tour not quite in shape. The days of being able to "rehearse myself in to shape" are largely over. Also, after witnessing a number of colleagues and aquaintances undergo sometimes career-ending injury as brass players, I have become much more careful and thoughtful in regards to my own playing health. 

The number one thing I do every day is to warm up. Period. My warmup on tour is super easy.  I start the day with soft, easy Remington long tones, and I don't play louder than mezzo-piano for the first few minutes of the warmup. I then progress through my regular warmup routine, still keeping the volume low. I spend an extra amount of time on articulation and response exercises.  I have found that repeated hard playing, and the fatigue that causes, can make articulation and flexibility difficult. This is also a good habit the day after ANY difficult playing situation.  Many days, after long playing commitments or playing outside in extreme weather, I need the same approach to keep things healthy. 

So, after the warmup and playing maintenance, comes the regular tour routine of finding food (not getting loaded up on sodium is difficult!), bus rides every afternoon, then checking in to a new hotel every day.  I usually try to get some exercise in either first thing in the morning, or following the afternoon bus ride.  If there's a good place to run in either location, I'll take advantage of the better scenery to schedule my exercise.

Following exercise, bus rides, and warming up, I have a routine before the evening concerts as well. I usually make a good cup of coffee about an hour before the bus leaves for the concert, iron dress clothes, maybe play a little more, then get on the bus. I try to take advantage of the hard work done by our awesome audio engineers, and take a listen to recent concert recordings on the way to the show.  Jeff Higgs is our engineer out on the road this year, and we are incredibly fortunate to have every rehearsal and concert recorded, mastered, and posted on line for us to listen to as needed. 

The marines of our stage crew and audio lab work amazingly hard on the road every day, loading all our gear in and out of each concert site, recording, running live sound, and archiving all that audio and video. 

I hope that gives you a little bit of insight into the things that make tour work for me! If you have any questions, leave them in the comments.  Thanks for reading, and I hope to see or hear from you soon!

Yours virtually,

Chris

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